![]() ![]() This is a great option if you want to target a specific color in an intricate image.In your layers panel, create a new Hue/Saturation adjustment layer. This method doesn't work well with all colors and the outcome can be somewhat unpredictable at times, depending on the color you choose and the color of your object. It's a fabulous way to get some colors that may be difficult to achieve in Hue/Saturation due to the shadow banding. Once everything looks good, set your layer blend mode to Color and you're finished! Sometimes duplicating the layer also helps achieve the rich color you're looking for. Click on that mask and start to paint the areas you don't want to be affected. This decision doesn't have to be final, because you can easily change it later :) What's nice about creating a Color Fill is that it automatically creates a mask for that layer. This will bring up the Color Picker menu.Choose what color you'd like to make your object. This is a great alternative to the Hue/Saturation layer.Go to Layer > New Fill Layer > Solid Color. You may get some strange outlines/color banding in your shadow areas, so just be mindful of that. You need to be careful when it comes to changing rich, saturated colors, especially red. The reason why I love this approach is because it's non-destructive and easily changeable. Once you're satisfied with the color, use your brush on the layer mask to paint the areas where you don't want the color change to happen. See what works best for the object you're coloring. If my object is darker, then a higher saturation looks unrealistic. Typically, the lighter the object, the more I need to saturate my color. The same goes for the opposite: if you have a darker object you need to colorize, pump in some light to those darker areas by increasing your lightness.Lastly, play around with the saturation to get the desired effect you want. If your object is a lighter shade, you may need to adjust the lightness by making your selection darker to get the richness of color you want. Toggle the box that says "Colorize" and start adjusting the hue to the specific color you want. To do this, simply go to your adjustments panel and add a Hue/Saturation layer. ![]() ACO so make sure you are searching for the file format that you saved you swatches in.Īnd there you have it! You now have a set of colors that will NOT clash if you use them in a design with your original image.The first tried-and-true way to recolor your objects is to use the hue and saturation layer. Browse to the folder where you saved your color table and open up the new palette. To load up your palette with your new swatches, open the Swatches palette and from the drop down menu in the top right corner choose Load Swatches. You’ve stripped out potentially millions of colors and reduced it down to 256. You may find that your photograph is not looking so hot since you converted it to Index Color. Hit the Save button on the Color Table dialog box and then save it into Photoshop > Presets > Color Swatches folder.Ħ. ![]() Now you can save the table, otherwise you’ll lose the new palette you’ve created. Choose Image > Mode > Color Table to view it and the colors selected from your image.ĥ. Now you will be able to see a color table created when you converted to Indexed Color. (Note: If you want only a few key colors from the image, set the number of colors to 20)Ĥ. Still in the Indexed Color dialog box, set the number of colors to 256, set Forced to None and Dither to None. Choose Local (Perceptual) in the Palette drop down box.ģ. A dialog box opens up with options for converting your image to Indexed Color. If your image is in CMYK mode, you’ll need to convert it to RGB and then Indexed. To reduce the number of colors in the image down to 256, choose Image > Mode > Indexed. To make a copy choose Image > Duplicate.Ģ. It’s always a good idea to work on duplicates of your original files, just in case of accidents. Using the swatches palette in Photoshop you can grab a full color palette from any photograph or image and save the swatches. Picking the perfect hues for your design projects, on or offline, can be a tricky business. ![]()
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